30th ParallelBY GEORGE KINGHORNJOHN BAILLY’S compositions are layered with a dizzying array of images, each possessing their own distinct history. Maps, cultural icons, symbols, architecture, and science book illustrations find their way into his paintings. In Cabeza de Vaca, Bailly has superimposed interior views of Roman architecture on top of a map of the Caribbean he has rendered in burnt umber. Also layered are two radiant blue painted maps of the world, which depict a comparison of geography before and after Columbus’ explorations. Like many of his paintings, Bailly has incorporated figurative elements in Cabeza. Over two hundred hands painted from life wind their way throughout the composition. Some rise in protest, while others dangle lifelessly as if overcome by an oppressor. Perhaps they are a symbol of people throughout history, of all classes and cultures, who struggle for freedom. |
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